Posts Tagged ‘Singapore Repertory Theatre’

“O Romeo, Romeo! Wherefore art thou Romeo?”

Now, even if you’ve never read a single Shakespeare play in your life, I’m pretty sure you’ve heard that line and know where it comes from. It’s one of the best known lines from the famous Romeo & Juliet!

Or if you are from my generation, at the very least you would have flocked to the theatres to watch Leonardo DiCaprio play Romeo in the movie version of Romeo & Juliet.

This April, we are in for a real treat by the Singapore Repertory Theatre (SRT). As part of their Shakespeare in the Park series, SRT will be staging Romeo & Juliet from 27 April to 22 May 2016. This will be their ninth production of Shakespeare in the Park, and 2016 is an extra special year because this year marks the 400th death anniversary of William Shakespeare. To join in on the celebrations commemorating the bard’s life and works, SRT has chosen to stage what is probably Shakespeare’s most well-loved play, one which has had a profound influence on popular culture.

Main Visual (with text)

I love the Shakespeare in the Park series! A picnic with friends and loved ones, lush greenery, and a good performance of the classics. What’s not to love?

SRT’s production of Romeo & Juliet will be a contemporary take on the classic, and if Merchant of Venice was anything to go by, it will be a visually stunning production. The young lovers will be portrayed by Thomas Pang (Tribes) and Cheryl Tan (Beauty World and Red Riding Hood), with Remesh Panicker, Shane Mardjuki and Daniel Jenkins in other leading roles.

Remesh Panicker!! I’m so excited to watch him act, you have no idea. I loved his portrayal of Shylock in Merchant of Venice, and am very keen to see which role he takes up and how he interprets the role.

If you read in the Straits Times, there’s a chance that this might be the last Shakespeare in the Park (sob!). If you’ve never been, you really should go down this year to experience the event for yourself.

Prices: From $40 (student and group concessions available)
Venue: Fort Canning Park
Ticketing: SISTIC at 6348 5555 or http://www.sistic.com.sg
Performances: 30th April to 22nd May 2016


***Ticket Giveaway***

SRT has generously sponsored 1 pair of tickets for Sun, 15 May 2016, 7.30pm for one lucky reader. To take part in this giveaway, all you have to do is leave a comment in the post, telling me who you’ll bring for the show! Remember to leave your email address.

All entries must be in by Fri, 6 May, 6pm. Please make sure that you can make it for that showtime before taking part as the tickets cannot be exchanged for other shows.


Terms & Conditions: The winning entry will be selected at random from all qualifying entries and the winner will be announced here in the comments section of this post, and will be contacted via email.  The winner will have 24 hours to respond, failing which another winner will be selected. Tickets will be available for collection on the day itself at the performance venue.

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The good folks at The Little Company have outdone themselves! What a treat it was to catch Treasure Island!

treasureisland_A2 FA

Even though I was confident that the story alone would make this an interesting show, I’ll admit, I was a bit skeptical about the lead role of this classic tale being taken on by a female. And I was wondering how they were going to bring the audience onto the ship, the Hispaniola. But my concerns were unfounded and the show was superb!

The kids were very excited to go for Treasure Island and had re-read their Treasure Island book in anticipation of the show. Even Alyssa was familiar with the words ‘Treasure Island’ after I read to her A Shapes Primer: Treasure Island a few times. On the day itself they even dressed to the theme.


Their Treasure Island inspired t-shirt designs on their Tangram Tees


A spot of Tasty biscuit sword fighting during the interval

The kids were completely absorbed by the show, and there were many humourous parts sprinkled here and there to lighten the story. They were especially tickled by the O’Brien and how he described his abilities and why he should be brought along for the voyage. He was the character that provided the most laughs. Even after we went home they were singing his “I have hands, I am strong” song.

Dwayne Lau, Ann Lek and Mitchell Lagos in TLC's Treasure Island

(L to R) Long John Silver, Jim Hawkins and O’Brien

It’s hard to say which was the main highlight – the cast, the songs or the set, because they were all so good!

The cast featured familiar faces that we had seen in other performances, and I was happy to see them thrown together in this show. In fact, several of them were my favourite actors from separate productions, so this was really a high powered cast that was put together for Treasure Island. Together they made a great team and each played their characters (some of them taking on multiple roles) with such aplomb.

Tan Shou Chen, Ann Lek and Erwin Shah Ismail in TLC's Treasure Island


The songs were fabulous! How else can I describe this? You really got to listen for yourself. “Life on the Sea” was beautifully arranged, and there was the wonderful number “The Coconuts and Me” by Ben Gunn (played by Kimberly Chan). I would consider purchasing a copy of the CD if there was one on sale!

I loved the sets too, especially the ship. You really felt like you were on board the ship with them. At one point one of the characters threw something overboard, and I expected to hear a splash! That’s how well they brought you into the story! From the Admiral Benbow Inn, to the ship, to an island filled with coconut trees, the sets were all very well done.

Dwayne Lau, Mitchell Lagos, Ann Lek, Erwin Shah Ismail, Tan Shou Chen and Kimberly Chan in TLC's Treasure Island

Just look at that gorgeous set! And the lovely costumes!

The show ends on a positive note with the power of friendship to make things family friendly, and it was good for the kids to see how someone can turn over a new leaf. It ends on a high, and you leave feeling extremely satisfied.

Erwin Shah Ismail. Kimberly Chan, Dwayne Lau, Ann Lek, Mitchell Lagos and Tan Shou Chen in TLC's Treasure Island

Enemies turned friends

There are only a few days left (the show ends its run on 13 Dec), and if you haven’t already caught the show, I highly highly recommend it. It is probably my favourite show by The Little Company so far!

Tickets are available through the SISTIC website and the SISTIC hotline (63485555).


Disclaimer: We were given 4 complementary tickets to watch the show, but all opinions are my own. 

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Ahoy there! Somethin’ excitin’ is comin’ o’er yer way come the end of October! Better be on the lookout for it, me hearties!

Singapore Repertory Theatre’s (SRT) The Little Company (TLC) will be staging the exciting and swashbuckling story of Treasure Island from 30 Oct 2015 at the DBS Arts Centre.

A new adaptation of Robert Louis Stevenson’s popular novel of the same name, Treasure Island follows the adventure of Jim Hawkins, who receives a treasure map from a kooky old seaman. Jim is tasked to help find the hidden treasure, but the road to riches is never smooth sailing. In this version of the Treasure Island, Jim Hawkins is cast as a lion-hearted 13-year-old girl rather than a boy, possibly to appeal to the girls, though I think the story itself should be compelling enough.

Look out for other colourful characters like Captain Smollett, Squire Trelawney, and of course, Long John Silver!

Treasure Island promises to be a hilarious and action-packed musical about friendship and trust, and is suitable for the whole family! It’s a great way to welcome the year-end holidays, and reward the kids for working so hard throughout the school year.

My boys have read Treasure Island the book and really enjoy the story. So much so that when Ellery saw a children’s illustrated version of the book at the Book Swop at the recent Octoburst Festival, he exchanged a book for it even though we already have the longer version at home.

We sure are looking forward to joining those buccaneers on an adventure to find gold! Argghh!!

Treasure Island is being staged from 30 Oct – 13 Dec, 2015 at the DBS Arts Centre.
Tickets are available through the SISTIC website or via their hotline (6348 5555).


SRT has generously sponsored 1 Family Package (4 tickets) worth $153 for Treasure Island on 7 November, 11am, to be given away to one lucky reader! Please make sure you are available to watch the show at the stated date and time before joining this giveaway. To qualify for the giveaway, please do the following by 28 Oct, 2359H:

  1. Answer the question below by leaving a comment at the end of this post. Please include your email address so I can contact you if you win.
    “In The Little Company’s stage adaptation of Treasure Island, Jim Hawkins is a girl. True or False?”
  2. Share this post with three friends, and let me know your FB name so that I can verify your entry.

Good luck me hearties! May ya get yer hands on that ticket treasure!

UPDATE (22 Oct 2015)
Instead of just 1 Family Package (4 tickets), SRT will be sponsoring 2 Family Packages to 2 readers! What are you waiting for? Take part in the giveaway now!

Terms & Conditions: The winning entry will be selected at random from all qualifying entries and the winner will be announced here in the comments section of this post, and will be contacted via email.  The winner will have 24 hours to respond, failing which another winner will be selected. To be fair to our sponsors, please note that all fake Facebook accounts (e.g. accounts set up purely to take part in contests with no or very few real friends) will also be ineligible to win. Tickets will be available for collection on the day itself at the performance venue. 

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Ellery skipped school (shh!), and together with Asher and Alyssa we trotted off to catch 金发姑娘和三只熊, otherwise known as Goldilocks and the Three Bears in Mandarin by The Little Company. This Mandarin version is adapted by well-known radio and TV personality, Danny Yeo, and Zhang Lesheng, an award-winning lyricist who has written theme and sub-theme songs for over 90 MediaCorp TV drama serials.


We had watched the English version a while back, but the kids didn’t seem to remember much about it as they were quite a bit younger then. I was curious to see how this show would play out in Mandarin, and whether the songs and story would work as well when translated from English.

To my surprise I enjoyed it more than the English version! Interestingly, different songs stood out. In the English version, our favourite song was the ‘porridge song’. In Mandarin, we liked the ‘itchy song’ the most, followed by the ‘bear song’ and the ‘beware song’. These songs took on more life when sung in Mandarin, somehow. The songs were much more memorable in Mandarin and I occasionally still have the songs running through my head.

Papa, Mama, and Baby bears

Papa, Mama, and Baby bears (Photo taken from SRT’s Facebook page)

Bears enjoying their porridge (Photo taken from SRT's Facebook page)

Bears enjoying their porridge (Photo taken from SRT’s Facebook page)

I loved the Mandarin puns and thought it was a wonderful opportunity to show the children how Mandarin can enrich a show and make things more interesting. When Goldilocks first saw the bears she was freaking out and kept saying “x-x-x-x-xiong”. Papa Bear then clarified that they were “熊” (xióng – bears) not “凶” (xiōng – fierce). They played on this pun a few times so that the kids could catch it – “熊爸爸” (bear papa) and not “凶爸爸” (fierce papa). It was also funny when Mama Bear wanted to calm Goldilocks down and told Papa Bear, “把小熊给她!” He then tried to pick up Baby Bear to give to Goldilocks! She actually meant the teddy bear, which can also be called 小熊! I pointed out to the boys that these jokes would not have been possible in English. Teddy Bear and Baby Bear wouldn’t have been interchangeable, neither would there have been a fierce daddy/bear daddy pun. They were quite tickled by this and went to ask Jon if he was a 凶 or 熊 daddy at night.


Goldilocks (Photo taken from SRT’s Facebook page)

There was very good chemistry among the actors, and they really brought the show together. The best part was the entire segment where the bears suspected someone had intruded into their house and found Goldilocks asleep. It was hilarious, not just because of the puns, but because Mama and Papa bear looked so terribly annoyed. You feel like they are convinced that the intruder, by eating their porridge, sitting in their chairs, and lying in the beds, has committed an absolutely unforgivable act and must be severely punished!

Discovering Goldilocks asleep in Baby Bear's bed! (Photo taken from SRT's Facebook page)

Discovering Goldilocks asleep in Baby Bear’s bed! (Photo taken from SRT’s Facebook page)

The only bit that didn’t quite work with the audience was when Goldilocks was singing about girls being capable and independent. I remember this didn’t quite work in the English version either. It’s a good message but I think the language is a bit too sophisticated for many of the young kids attending the show. That was just a very small part of the show though. Overall, it’s a very good production.

Asher, who was at first a bit reluctant to watch a show in Mandarin, declared afterwards that he really liked the show! I think that’s good endorsement :)

Goldilocks and the Three Bears (Mandarin) runs until 29 Mar 2015 at the DBS Arts Centre. You can get your tickets from the SISTIC website or call the ticketing hotline (63485555).


We received complementary tickets for this show. All opinions are my own.

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Three cheers for The Little Company!

What an amazing production!

From the minute the curtains were opened, the kids and I were enthralled by The Nightingale. I found myself ooh-ing and ahh-ing at the gorgeous set. Once again The Little Company has created a beautiful world for the audience to enter, and for me it was one of the best sets for a children’s production I’ve seen in a while. Nowadays many theatre companies make do with one key prop and use it in multiple ways, leaving scene changes mostly up to your imagination. It can be very clever, depending on how it’s done, but today’s production reminded me that sometimes, there’s nothing quite like having a real change of scenery on stage. Besides the Emperor’s palace, curtains of green foliage transport you to the forest beyond the palace walls where the Nightingale and other animals live. I also liked the use of shadow play, with shadows cast upon hanging laundry, as the Lord Protector went around enquiring about the Nightingale.

Three cheers for the Emperor of China! (Photo taken from SRT’s Facebook page)

The story is based on Hans Christian Anderson’s ‘The Emperor and the Nightingale’. The Emperor of China is so enchanted by the lilting birdsong of the plain looking nightingale that he captures her and keeps her in a gilded cage for his daily entertainment. But soon, the nightingale loses her beautiful voice and he chases her away. She is replaced with a mechanical bird that the Emperor thought would be infallible, but even that bird loses it’s voice. He is so distraught without the companionship and song of the nightingale that his health quickly deteriorates until she comes back to sing for him.

I liked how the plight of the nightingale somewhat paralleled the life of the kitchenmaid. The plain-looking nightingale possessed the most beautiful voice imaginable, more beautiful than birds with more attractive plummage. In a somewhat similar vein, the kitchenmaid who was the “lowest of the low” knew more about life than the Lord Protector who was the “highest of the high”. It doesn’t mean that the lowly, unattractive creatures have nothing to offer. I thought that was a good lesson to point out to the kids.

The story unfolded at just the right pace for the children to follow and was made more interesting with the use of rhymes. The entire script was written as a rhyming poem! I was happy to find that there didn’t seem to be any stilted parts resulting from forcing out a rhyme. I thought it made for seamless flow into the many songs.

Yes, the songs. Actually this production reminded me of Frozen (in a good way) because the characters weave in and out of songs just like that.

And wow, the songs. They were so good! Slick, polished, creative. I wasn’t surprised at all to find out that Ruth Ling had composed them. Having seen a few productions which featured her work, there’s this extra touch of magic. I was especially surprised by the mechanical bird song that was done in a very modern electronic/hiphop way (you know, where the voices sound all, er…electronic…you know, you know? Pardon my lack of proper musical terminology :) ). I loved how fresh it was. And it wasn’t out of place either because it fit in perfectly with the portrayal of the electronic/mechanical bird.

Nightingale, Emperor & the kitchen maid (Photo taken from SRT’s Facebook page)

The musical is sprinkled with humour (Ellery found it very funny how the Lord Protector didn’t know his animals sounds), but it’s also quite moving. You feel sad for the bird when she loses her song, and happy for the Emperor when he discovers the joy of freedom and true friendship. And the Nightingale’s song itself is very moving. When I asked Asher what he liked he mentioned the Nightingale’s song and said it had made him almost want to cry!

The Nightingale is a top notch children’s performance that’s a visual treat with a great cast and great songs. Definitely a must watch!

It’s on until 14 Sep 2014 at the DBS Arts Centre. It is also showing in Mandarin from 18 Sep to 11 Oct. Tickets are available at SISTIC.



We were given complimentary tickets for the show. All opinions are my own.

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It was the aBsoLutEly BesTesT way to spend our Sunday afternoon!

We trotted off to watch Charlie and Lola’s Extremely NEW play at the DBS Arts Centre on day 2 of my freedom from confinement.  It’s a ReaLLy WoNderFully charming play that warms your insides.

Charlie & Lola's Extremely New Play

Journeying through the four seasons, the ever patient and gentle Charlie helps Lola to see things from a different perspective and lifts her spirits at the same time. It’s always sweet to see how much he cares for her and wants to make her happy, whether it’s ensuring she creates a wonderful piece of autumn art, making her happy with her role in the school play, or playing with her when she thought Lotta didn’t like her anymore. Charlie is the older brother every sister wishes she had!

I tRuLy and coMplEteLy loved the cleverly designed set.  Deceptively simple looking, it incorporated little hideaways for all kinds of props to transform the stage from one season to the next, and even brought you into the imaginations of Charlie and Lola – just like in the stories.  The boys were amazed when the backdrop became the hulls of Charlie and Marv’s pirate ship, and I particularly liked seeing Sizzles the dog do all kinds of crazy things just because in Lola’s mind he can do anything!

The toTaLly maRveLously nice props stayed true to the style of the books too, which was a real plus for me. The only thing that made the boys a little confused was why they could hear the characters talking when the puppet’s and puppeteer’s mouths were not moving :) (The play used recordings of the same voices you hear on the TV series.)

(Photo taken from Honeykids)

Coming on the back of exTremEly A Lot of squabbles between the boys, I took the chance to point out how Charlie and Lola cared for each other, spoke nicely to one another, and tried to make each other happy. I also milked it further by telling the boys they can be good older brothers to Alyssa too, just like how Charlie was with Lola. They took the bait and started rattling off all kinds of things they will do for Alyssa.  Score! (Of course it’ll be a while before we see it in practice…)

A sweet play that touches on themes of friendship, unexpected changes, disappointments, and love,  I’m VeRy coMpLetELy sure you and your kids will enjoy it too!

The show runs until 15 Jun and tickets are available from SISTIC.

Tata, I’m off for some pink milk!

A cute picture of Charlie and Lola doing the tourist bit in Singapore (Photo taken from the Charlie & Lola Facebook page)


*We received complementary tickets for the show. All opinions are my own.

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The weather looked threatening, but thankfully it held up and we could enjoy a night at Fort Canning Park watching SRT’s Shakespeare in the Park – Merchant of Venice.  Armed with picnic chairs and unhealthy McDonald’s grub, we found ourselves a good spot and settled down to what could be our last date night before baby no.3 arrives.

I was immediately stuck by the very modern set, all silver and industrial.  It turned out to be very versatile.  With just a few additions of key props, the same set was able to transport the audience from the open Rialto, to the courtyard of Belmont, to Shylock’s office, to the court room, and even a bar.

This production put the Merchant of Venice in a modern context and sought to show that the themes of justice, class, power and love are still as relevant today as they were in the past.  And references to modern forms of social interaction such as messaging and the use of iPads to screen Portia’s potential suitors was met with audible appreciation from the audience.

Strutting about with their mobiles – Photo taken from the SRT Website

I thought that on the whole the production was of a high standard, with seamless transitions between scenes, and key roles helmed by experienced actors.  I was especially taken by Remesh Panicker’s portrayal of Shylock.  I thought he delivered a stellar performance, giving Shylock a very human and vulnerable feel.  I’ve always had a bias towards Shylock as I feel he’s been wronged and unfairly persecuted by everyone, his stubborn demands for a pound of flesh not withstanding, and I felt this Shylock fit in with my idea of how he should be.  I liked Panicker’s delivery of Shylock’s famous speech from Act 3, scene 1 – “If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?”  Unlike many other presentations which usually over dramatise this portion, he delivered it almost matter-of-factly which, to me, emphasized all the more the words in the speech.

Remesh Panicker as Shylock – Photo taken from the SRT Website

There was one disappointing character though.  I felt that the supposedly comic role of Launcelout Gobbo (played by Sean Lai) fell flat.  He was neither funny nor amusing.  Sean’s diction was also a little hard to dicipher at times.  And the very random yells of “ang mo gui” at one point seemed out of place and downright strange (though this might be the fault of the script rather than the actor).

The most interesting thing for me was a new slant that I had never quite noticed in reading the play before.  In this production, Jessica (played by Krissy Jesudason) and Lorenzo’s (played by Johnson Chong) relationship seemed to be headed south, rather than being in the throes of love as I had remembered.  The comparison of their love to famous lovers in history was delivered in a sarcastic and tense manner, as if they were descending into an argument and spiraling out of love.  This was an interpretation I had never comtemplated before.  And the ending of the play further reinforced this view that Jessica almost regrets the actions she has taken as she has betrayed her father and is left with a man whom she is not completely happy with.  It was food for thought as Jon and I left the venue, and is something I’m still mulling over.

Gathering of friends in the courtyard of Belmont – Photo taken from SRT Website

Good acting, good sets, good music, good atmosphere.  You should definitely check out this run of Shakespeare in the park.  The show runs until 25 May, and tickets are available through SISTIC.


Disclaimer: I was given tickets to review the show.  All opinions are my own.

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I was a little uncertain what to expect from this performance as my impression of Dick Lee’s productions are that they can sometimes be a bit too over-the-top for my liking.  I was thus pleased to find that Rising Son was treated with restraint and good sense.  It was suitably sober, but sprinkled with light smatterings of humour here and there to lift the mood.

Photo taken from SRT website

Photo taken from SRT website

Starting with an audio introduction to the sounds of war coupled with headlines of the advancing Japanese forces, I was reminded that the context in which the play takes place was true and these were the sounds that some of my older relatives would have heard first hand.

The play is set during the time of the Japanese invasion and occupation between 1941 and 1945.  18 year-old Sunny (Tan Shou Chen) and his younger sister Ruby (Seong Hui Xuan) develop an unlikely and socially taboo friendship with their neighbour Hiroyuki Sato (Caleb Goh), a Japanese army judge.  Through Hiroyuki’s acts of kindness like sharing food with Sunny’s family, and giving Sunny access to his library of books, the two form an awkward bond that in better times could have flourished into a proper friendship, but in the context of the war was tentative and, especially from Sunny’s point of view, riddled with conflicting emotions.  On the one hand, he hated the Japanese soldiers for how they mistreated the people, yet here his Japanese neighbour, for all intents and purposes part of the occupying forces, was nothing like the rest.

Sunny & Hiroyuki Photo taken from SRT website

Sunny & Hiroyuki
Photo taken from SRT website

Unfortunately, the understanding of Sunny’s inner state was mostly drawn from an intellectual inference of what he should be feeling in such a situation given what he said.  The emotional struggle did not come across as strongly as it could have.  Despite delivering a competent performance, the portrayal of Sunny lacked a sense of gravity which would have lent the character more depth.  It was only during the climactic clash between Hiroyuki and Sunny did I feel the projection of the conflict within Sunny.

Still, the performances of all three actors were well delivered, and attention was given to the small but important details like poignant pauses and carefully timed sidelong glances.  Along with clever use of lighting, it was a well-paced performance and the 90 minutes passed quickly without ever getting bogged down by the issues being tackled.

The play focused on presenting the perspective of the young Sunny, but I did wonder what his parents thought of the whole situation.  To have invited Hiroyuki into their home for dinner and allow their son to frequent the house of a Japanese soldier must have been extraordinarily uncommon during the war.  I wondered how much of Sunny’s perspectives were influenced by his parents, and how much was drawn from his own reading of events.  Ruby certainly had a different take on things.  Where Sunny was cautious, Ruby threw caution to the wind.  While Ruby was supposed to be the naive one at that time, it was she who saw past the circumstances of war to see the person Hiroyuki was, someone who struggled to find humanity in circumstances beyond his control.

Certainly what takes place in the play unfolds in a bubble, and is not representative of the experiences of the vast majority of people during the war.  But it is not a story that is unheard of.  Similar stories of compassion and camaraderie between enemies have emerged before – think of Władysław Szpilman of The Pianist and the Christmas truces of World War I.  And that was the strongest impression I had as I left the theatre, that even in the midst of terrible circumstances, there are always threads of humanity that can come from the most unexpected of people.  Not everyone involved in war wants it to happen, not everyone wishes to be doing whatever it is they are ordered to do.  Sometimes war carries you on a wave of events, and there is little an individual can do to stop the whole, but there is something he can do to make sense of life by creating a bubble of humanity, however fleeting and fragile that bubble may be.

Ruby teaching Hiroyuki to dance Photo taken from SRT website

Ruby teaching Hiroyuki to dance
Photo taken from SRT website

Rising Son is the first part of a trilogy of plays inspired by Dick Lee’s family. It is staged at the DBS Arts Centre and runs until 12 April 2014.  Tickets can be bought through SISTIC.


Disclaimer: I was given tickets to review the show.  All opinions are my own.

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I’ve always thought Rapunzel a strange yet appealing story.  Why can’t the witch just fly up into the tower herself since apparently witches fly on broomsticks?  How did the witch first put Rapunzel in the tower?  Isn’t it, like, crazily painful for someone to use your hair as rope?  I guess fairy tales are like that – creative license to have some loopholes. But we like the stories anyway!

After re-introducing the story of Rapunzel to the boys, I brought them to catch the performance of Rapunzel by The Little Company at the DBS Arts Centre.  Their previous shows like the Three Little Pigs were very engaging, with hooks to draw the children in.  I was looking forward to a similarly good production, and happily, I was not disappointed.

When we first walked in we were surprised not to see a tall tower, but rather a humongous cactus!  That signaled to us that this was not going to be just the usual retelling of the story.  Clearly it was going to be set in the desert, and we were pleasantly surprised at the cactus tower because even the promotional pamphlets showed a regular tower.  The set was very attractive, and the boys straightaway started pointing out things that caught their eye, like how plates were used to decorate the tree.  For kids shows, I really appreciate when the set is decorated well as that’s the first step to drawing the children into the story.

Giant cactus tower

Giant cactus tower

This Rapunzel was cast as an avid reader trying to take matters into her own hands.  Rather than wait helplessly in the cactus tower, she was determined to find a way out of her sorry situation (which includes a diabolical witch taking pleasure in making her cry so that her tears can be used as a secret ingredient in the witch’s recipes!).  Rapunzel finds a magic spell that can break the enchantment of the tower and give her her freedom.  However, she needs to get hold of three ingredients for the spell to work.  I like how the children were involved in helping to remember what the three ingredients were by following the actions to a song Rapunzel made up.  My boys are usually more than happy to participate in such things.

Looking out into the world

Looking out into the world
(photo courtesy of SRT)

With the help of her friends Harriet the roadrunner, Hugo the armadillo, Chester the camel, and her first ever human friend, Montague the Prince, she manages eventually to get the ingredients she needs and gain her freedom.  There was a nice little revelation at the end of the show too, which was an extension of the original tale.

Harriet, Hugo and Montague

Harriet, Hugo and Montague
(photo courtesy of SRT)

There were a couple of cute songs, with my favourite being one about how when you meet someone for the first time it’s better to not be wearing pajamas!  It was so random, and so funny!  It was particularly amusing when later that night my parents brought Asher out for a car ride with his cousin and he was in his pajamas.  Ellery said he hoped Asher wasn’t meeting anyone new  :)

Anyway, Cheryl Tan who played Rapunzel has such a beautiful, crystalline voice.  It was so sweet you can believe Montague’s desire to meet Rapunzel after he heard her singing. I also thought there was a nice chemistry between her and Trev Neo who played Montague. He gave the prince a nice, light touch.

Cheryl Tan and Trev Neo in TLC's Rapunzel (2014)

Rapunzel & her prince
(photo courtesy of SRT)

Overall, I liked the twist in the story and appreciated the fact that it didn’t stray too far from the original.  I don’t like classic stories being mangled!  It was also great that the children were engaged throughout, and could remember parts of it after.

Rapunzel runs until 27th April, everyday except Mondays.  You can get your tickets through the SISTIC website or through their hotline (63485555).


Disclaimer: I was given tickets to review the show.  All opinions are my own.

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